Ballet Theater of Jujuy next to the outstanding core贸grafo Raul Gatto

once again director Fulvia de Gruber summoned to first figures to engalanar her samples of year end.

The Ballet Theater of Jujuy that directs professor Fulvia Chagra de Gruber announced for this weekend, three functions that mark the closing of cycle 2009 of their academy.
The appointment is in the greater room of the Miter Theater, with the presentation of three works: 鈥淪ylvia or the Nymph of Morning call鈥? (Suite), 鈥淚nterplay鈥? (Ballet Classic Neon), and 鈥淎rlequinada鈥?.

Every year, the director summons to a national or international figure to engalanar these annual samples, and in this opportunity it will be the core贸grafo Raul Gatto (ex- First Dancer of the Ballet of the Theater Columbus).

Also it was summoned like invited dancer, to Miguel Klug Angel (of the Institute Superior of Art of the Theater Columbus), that will accompany to the juje帽os artists in the putting.
It is possible to mention that the spectacle proposes 96 artists in scene, who will be brilliant tonight to 22, and tomorrow and Sunday to 20.

鈥淪ylvia or the Nymph of Morning call鈥? counts on music of I read Delibes, choreography of A铆da Amicon, and with Raul Gatto like repositor core贸grafo. The argument of the work is based on a mythological subject, gathered of Torcuato Tasso in " Aminta鈥?, and it was released in the opera of Paris during the season of 1876.

In the main papers Daniela Saenz and Miguel act Klug Angel.
鈥淚nterplay鈥? is a neoclassic ballet with music of Morton Gould and choreography of Bassilis Lambrinos, whose replacement is of Gatto. In this case also the list is headed by Daniela Saenz and Miguel Klug Angel.

Finally, 鈥淎rlequinada鈥? counts on music of Aram Kachaturian and original choreography of Gatto. The action of this ballet passes in carnival. The personages of 鈥淎rlequinada鈥? come from the Commedia Dell' Art. The melancholy of Pierrot in its vain search of the love. The glad Arlequ铆n to whom the masks coquetean: Columbian, Chiarina, Star, Coquete, Papillon, in a succession of attractive and romantic scenes.

A core贸grafo of luxury

The Tribuno de Jujuy talked with Fulvia Chagra de Gruber and Raul Gatto, this last one just arrived from Buenos Aires to participate in the general tests and to be present at the spectacles.

The work process began after to have concluded the vacations of July, when Gatto was in Jujuy to mount three works. It tells that it returned in October to otmar examinations in the study of Gruber, and now to participate in the last tests and preparations.

He commented mainly that the level of the dance in this ballet 鈥渋s very high, considering that' Interplay' for example is a difficult choreography that we transferred exactly as Columbus becomes in the Theater, and students could assume the juje帽os it very well technically鈥?, commented.

It is not the first time that works in Jujuy, on the contrary takes a relation with our artists that dates from thirty years back, when they remember next to professor Gruber, was first dancer of the Ballet Theater of Jujuy to make 鈥淪铆lfides鈥? polovtsianas dances of the opera 鈥淧rince Igor鈥?. 鈥淭hen the core贸grafo of my ballet was Ricardo Novich, and he decides to bring to Gatto that was like first dancer soloist of the Theater Columbus鈥?, Gruber remembers.

As of that moment they followed its sporadic participation with the students of the study of Gruber, until this year again surprises with its choreographies and replacements of repertoire choreographies, for this artistic grouping of great importance and trajectory in our province.

From always, Fulvia Chagra de Gruber worried to offer to its students, the possibilities of working with artists of first level, with ample trajectory, and at that they pointed its efforts.

Raul Gatto danced in the Theater Columbus from 1973 until he retired, was coordinating artistic and technician of the Argentine Theater when he reopened, and at the moment is core贸grafo and repositor core贸grafo, besides director of several ballets and their own academy, because he considers that 鈥渢he race of the dancer always has a continuity after the dance, when one sets out to transmit the knowledge.

Besides his activities like core贸grafo, he dictates courses in the interior and in the outside of the country, he is sworn international of contests of dance, director of Hill the Official Ballet of Zamora, of the Infantile Ballet of the School of Dances of the silver, educational of three chairs of the School of Dances of the Silver, director of his particular study, and examiner in different places from the country.

鈥淚 Always liked music and I had a special attraction by the plastic arts鈥?, comments when we consulted by its vocation and the discovery to him of the same. He tells that he began to secretly study dances, and assures that the recognition and the acceptance of its father (that were against at first) arrived when Columbus obtained to his place in the Argentine Theater and in the Theater soon.

Gentility Tribuno de Jujuy

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