Showing to the most recent entrances with the label Painting Sample To show the oldest entrances
Showing to the most recent entrances with the label Painting Sample To show the oldest entrances

“Cubistas and futurist Expression of the Structure?, images

Tonight to 20 the pictorial exhibition will be inaugurated “Expression of the Structure? of Hernán Gonza'les in the Popular Library.
Sixteen works demonstrate the construction of the value that generates the sense of beauty of the daily thing, of which arises that element so practitioner as present and direct who is the contemplation of the esthetic surroundings like vital aspect of our present.
The artist will exhibit works of subjects and situations of boarded Jujuy in a style in which cubistas and futurist pictorial styles through a personal approach come together.
The visitors to the sample will be able to be with elements of the cubism, without fulfilling the qualities strictly characteristic of that style.

From the futurismo, he comes that search and sensation of movement and dynamism generated by the use of constant diagonals and linear rates of color and form.

The sample will be qualified from today to the next Thursday in the schedule from 9 to 13,30 and from 16,30 to 23.

Veintiún artists salteña unmasks the ideology of the society

Local artists took their reading on our idiosyncrasy, boarded from original perspective.
The salteños we are preservative, people of family, lovers of prejudiced, shared in common, conformistas, chauvinistic the traditions, collectors of old and unsuitable, siesteros, loving things of the good wine and the served tables good, politically predictable, good hosts… The list could continue and thicken until unimaginable dimensions, because the idiosyncrasy of a town is constructed with logs that are added on a daily basis.

The autoreflexiva glance can be born with or without invitation. In this case there was, it and it was directed to the artists. “Invention-Construction? is the name of the sample that will be inaugurated today, to 20, in the House of the Culture (Homemade 460) and that was armed with an objective: to unmask imaginary salteño.

The ideologists were lawyer Esteban Drincovich and Mercedes Ruiz of the Level ones, and counted on the support of House of the Culture and of Pro Culture He jumps.

The artists who participate in this project are Maria Laura Buccianti, Rolando Aryan, Leonardo Pellegrini, Romina Shutter, Virginia Montaldi, Roxana Branches, Andrea Fernandez, Mario Cordova, Julian Garci'a, Mercedes Ruiz of the Level ones, Andres Mountain range, Marcela Lopez Tailor, Luis Bushhammer, Santiago Alvarez, Jose Maria Martinelli, Mariano Gusils, Andrea Elías, Cecilia Garci'a Ruffini, Jose Luis Saporiti and Maria Perez.

“The proposal of the sample was to work from imaginary salteño. That is to say, that the invited artists produced an artistic work from the symbolic system that each perceived of our reality. The title of the sample, `Invention - Construction', part exactly of this subject trigger?, commented Mercedes Ruiz of the Level ones.

“The symbolic systems of a society are armed or they are constructed from an invention. Without doubts, that invention has like departure point and establishment the reality. Thus we can say that the identity also is something that is constructed from data verified or verifiable by science or, in some cases, not?, added.

The organizers of the sample use the word “to unmask? because - they explain “the art is, without doubts, a sensible observer of things that happen in a society, is a signaller advanced or acute of those things. The artists we worked in a constant commitment with the reality that surrounds to us, with our context?.

Deconstruir speeches is, for the artist, a vital impulse. “It is there where we spoke of invention. When a speech deconstruye changes of form and sense, it stops being to mean another thing. There we return to the title of the sample: a constant invention-construction?, added Ruiz of the Level ones.

Those that participated in this sample, 21 watched are 21 artists on imaginary salteño. “Some more critics than others - the manager needed the sample in the sense that work on prejudices or stereotypes. Some are easier to read than others, but in all there is fine cautious of the reality salteña. Sandal from the picture to the landscape, of the religion to epic history, from the ironic thing to the ingenuous thing, from which it is covered to which it is discovered?.
“To imaginary salteño, constructed from as much, the territorial thing, the social thing and from the historical thing, it corresponds representations that condense the landscape, the ethnic diversity, the devotion, music and the gastronomy, among others things?, added Esteban Drincovich.

The inauguration will count on the presentation of Fernando Subelza (Quantum, Qaqtu Lab, Ostinato), who will interpret electronic music live.

All meetings and separately

The call was open to any artistic format. Thus, some artists presented/displayed photographies, other videos, paintings, drawings, objects or facilities.

The sample is diverse and gives testimony of the freedom that causes the contemporary art.

“For the elaboration of the work, some took control of religious subjects, scenes or mineral even typical of It jumps?, commented the Level Ruizes of, the managing one of the sample.

With respect to the possible relations that can settle down enters different works, it indicated: “There are points common between some. They would be possible to be grouped in sets and subgroups. For example, there is who worked on the picture, each with its point of view, perhaps, very different among them, but somehow part of the strong connotation that has that subject?.

Despite comprising of a set, “each one of the works speak by itself and with great forcefulness?, it honored Ruiz of the Level ones.

Legal Sandra exhibits its “Northern Mystic?

The pictorial sample will exhibit in the stops of the coliseo jujeño until the 30 of this month, with free and gratuitous entrance.

Northern landscapes and religious institutions are main the thematic ones that Legal Sandra in its exhibited pictorial sample in the stops of the Miter Theater approaches.

“Master my province, respect and I have learned to love its customs and traditions, its idiosyncrasy to the different regions from Jujuy. The Gorge enchants and Fist affects, me until the most intimate fiber? expressed the artist to the Tribuno de Jujuy.

The work of Legal began in the painting factory of Delia Mud wall that taught the bases to him to know the world the art.

“I began to create my madnesses, pinto according to which it is born to me from the heart and I put the colors to him that I wish, I put my I touch personal to him because she is what I feel? explained.

The painter defined that their pieces are constituted in a great challenge for their artistic life.

As far as a next exhibition, plastic the native one of San Pedro affirmed that the natural thing in the Yungas will be the main topic to approach.

“I have seen the joy in the people who have visited the rooms, thus she is that she would enchant to me to do after this sample, on the Yungas where I live. I want to paint to the city of San Salvador, that has its strolls and I believe that to this it serves exhibition to give me me to more desire and more forces?.

It is important to emphasize that it enters the artistic and realized pieces the oil, are “the band of sikuris?, “River of Purmamarca?, “Dancing in hills?, “Chapel of Purmamarca?, “the weaver?, “Chapel of Tilcara?, “Encounter of copleras?, “the lapachos?, “Naivete?, “Spirit coya?, “the small village puneño?, “the song in carnival?, “Temple of Small furnaces?, “Whisper of siesta?, “Touching the sky?, “the delay?, “Nostalgia?, “Between hills?, “ corner?, “Chapel of Rinconada?, “the comothers?, “the daily thing?, “Chapel of Uquía?, “the potter? and “I goad of the hairband?.

On the inauguration
The inauguration of the sample was realized days back and counted on the participation of a musical soloist.

A painting exhibition clarified with musical art of accompanied “Me in the inauguration, a singing friend who with a jujeños guitar and subjects good of Broken and Fist was what motivated and sensitized to all, until ended up dancing, something that he is to us usual in this type of painting exhibitions?.

, Finally Legal it mentioned that one feels very been thankful to those who were contributor of this experience.

“This cheered the soul to me because it was what tried, that goes away with a smile?.

Artists reflect on the present of the planet

Today, to 20, in the MAC the sample will be inaugurated “the art indicates?, with best works of the Biennial of the End of the World.

The Biennial of the End of the World must like objective generate a reflection on the different contemporary manifestations.

Within the framework of the Central Program of the Commemoration of the Bicentennial of the Revolution of May, today to 20 in the Museum of Contemporary Art the art will be qualified the sample “indicates?, in which they will be able to appreciate some of best works than they participated in two editions of the Biennial of the End of the World. With curaduría of Fernando Farina, the sample proposes within the framework to approach different problematic aspects from present of the ecological, social and political changes that are lived in the world.

The exhibition, summoned by the Presidency of the Nation, will within the framework cross for more than a year the most important museums of the country of the Central Program of the Commemoration of the Bicentennial of the Revolution of May.

Biennial of Aim of World, that it has as the city of Ushuaia soothes central, is not only an event biennial, but it is a continuous process of action, whose objective is the one to generate, through art, a reflection space on the different manifestations from the contemporaneidad. Its vision of the concept of “aim of the world? is regional, including the South cone of the American continent. The first edition was realized in 2007 and woke up an unexpected and sudden international adhesion that located in a place of privilege in the town international calendar of biennials of contemporary art.

Her organizer, the Patagonia Foundation Art and Challenge, created with the intention of spreading the Argentine art in the world, chose this occasion to make an explicit reference to one of works presented/displayed during the first edition of the biennial: the installation/performance of the Cordovan Dolores Cáceres. Its work, titleholder “the artist indicates?, presented/displayed in the first edition of the Biennial, alluded to the capacity to indicate what sometimes it is avoided, is hidden or we are not able to glimpse.

With curaduría of Fernando Farina, the sample proposes within the framework to approach different problematic aspects from present of the ecological, social and political changes that are lived in the world.

Among others artists participate to the Adrián Argentineans Red Billiards, Andrea Juan, Dolores Cáceres, Egar Murillo, Esteban Alvarez, Fabiana Barreda, Fernando Goin, Flavia Da Rhine, Graciela Sacco, Gustavo Groh, Joaquin Fargas, Jorge Orta, Laura Glusman, Leon Ferrari, Paula Senderowicz, invited artist Josefina Caron, besides foreigners, who were invited “to think about the end of the world?.

Pictures of unstructured artists

The Ventolera is twelve gigantografías of the group of visual artists “?, of Catamarca.

From its beginnings, the photography was transgressor, modern; it was known what it was not, but it was difficult to say what was in fact. It was not a substitute of the painting, was faithful copy of the reality either (it seemed to be it, but also it had the capacity to transform the reality into something new), was difficult to catalog. Over the years and the successive technological jumps, today it is possible to face the photography of infinite ways. If the taking like means of expression and territory of searches, exists the possibility that new proposals for this art arise that, evidently, is continued renewing.

By this footpath they advance many creators who have in the photography their means of subsistence (it is its profession), and simultaneously they are sent to undergo interesting esthetic options. It is the case of Ariel Alexander Pacheco, graphical reporter catamarqueño, member of the Cultural Center the Primitive one. The artist will present/display as of today, to 20,30, in center Cultural Aristene Papi his sample “Yearbook?, integrated by twelve pictures (gigantografías of 1.20 meters by 90 centimeters) of the group of visual artists the Ventolera, of Catamarca. The works appear tightened like linen cloths in wood frames. “The idea of the assembly for each picture took elements from the theater and the painting: the movement in the composition, the game of plane and bottom and, mainly, the maquillaje and the illumination?, explained the photographer.
The result: absolutely conventional images, where the portrayed ones re-invent from their own creative subjectivity and the one of other colleagues.

With this criterion, the reality stops existing and is the eye of the photographer who decides the intentionality of the images. This process, nevertheless, to be “original? does not become a sleeplessness. “He is not one of my objectives - it clarified Pacheco. In this proposal one considered to work from a place different from the habitual one from the documentary photographies. The portrayed ones (plastic artists) wished to be unstructured and free; it was a shared work search, of recognition and construction of the identity: from the glance of the other, its own one watched?. Pacheco is, besides a visual artist, graphical reporter of a newspaper catamarqueño.

It considers that both rolls cannot be separated: “In fact, all photographic fact determines a mixture, an amalgam, a constant synthesis between the visual artistic fields. It happens that often, when images are obtained that also own esthetic qualities, emphasize them as if the documentary thing lacked importance and were something simple?.
“Of all ways, for the majority of the human accomplishments something of artistic character is required and, therefore, he is to him intrinsic to the documentalismo and, in this sense, it denotes a majority. The artistic thing, like so, finishes belonging to all creative act?, added.

Pacheco emphasized that what him “clears the dream is not to be original, but to be able to find the way to show the other what I mean, to find the tools to say it without confusions, to be a communication instrument. The image in itself is a luck of encomillado of the reality and, therefore, it would not have to be the product of how the photographer creates who the things must happen or to be. In synthesis: I do not look for to be original to show what many already they showed, only wanted to be able to show it as it is?, cleared the artist.

The people portrayed by Pacheco belong to the Ventolera, the first group of visual artists (painters, sculptors, photographers and engravers) that decided to be united “to break the local artistic canon?. The sample will be able to be visited as of today, with gratuitous entrance.

A tribute to the Bicentennial of the Mother country through the plastic arts

Today, to 20, in the hall of the House of the Culture the sample will be inaugurated “Part of the Mother country?, of salteños artists.

In all the country, and through different artistic expressions the Year of the Bicentennial is being celebrated, and Jumps is not the exception. With regard to the plastic arts, today from the 20, in the hall of the House of the Culture the sample will be inaugurated “Part of the Mother country?, integrated by paintings of teachers of in center Jumps and the installation “and of my chest?, of the plastic artist Susana Rocha,
The 2010 will be a spent year to remember those who part formed and left an ineffaceable track in Argentine history. They say well that It jumps is the “cradle of the folklore?, the Earth where they were born and they soaked of music the great figures of the popular song. But the folklore is not the unique talent that emphasizes to the salteños all over the country, the same happens to the theater, the dance and the art. “Part of the Mother country? is a realized sample exactly to homenajear to those plastic artists who left an extensive one and interesting pictorial work legacy that does not do more than to confirm than our province is also “cradle of artists?.

The same is integrated by creations of Jorge Hugo Roman, Luis Pretti, Ramiro Dávalos, Mariano Coll, José Castro, Guillermo Usandivaras, Neri Cambronero, Juan Javier Pautassi, Ernesto Scotti and Alexander Ache, personages of the Bohemian salteña who not only had sensitivity to shape on the linen cloth their own interpretation on the reality, but also knew to share their knowledge and experiences with the art through teaching.
“The culture had much to do in the development of the society. Within the cultural expressions people who made a great contribution to the constitution of the society, through the plastic arts existed. He is why I decided to arm a sample pictorial that he serves to render tribute to him to those great teachers of the art of the province?, detailed the organizer of “Part of the Mother country?, the cultural manager Javier Farfán.

Paintings never before seen

In order to arm the sample, Farfán crossed diverse deprived collections, took contact with some proprietors and it even spoke with relatives of the homenajeados artists, who facilitated unit to him in perfect state of conservation.

“He was pleasing to have been in contact with people like professor Fulvia Lisi, Fernando Saravia Toledo, Rogelio Saravia Toledo, Carmen Coll, Virginia Suarez, Lucia Chagra, Topeto the Diaz, Guillermo Schawrcz, Yolanda Pretti, Isidoro Zang, Juan Astudillo, who amiably yielded works for their exhibition?, she emphasized Farfán, that in addition she advanced that a total of 20 pictures will be exhibited, that represent the figurative style with which they were conceived by his creators.
With respect to the reason took that to reunite it these works, Farfán explained that “the main idea is to present works that were not exhibited before, that is to say that went directly to the proprietor without having been in a museum or gallery of art. I thought that he was interesting to observe a work of José Castro or Neri Cambronero who has not known themselves directly. The fundamental thing is to set out of the artist its fundamental characteristic in its painting?.

The important thing of this type of initiatives, besides adding itself to the celebrations by the Year of the Bicentennial, is to remember those great teachers who with their contribution gave value him to the art of our means in all expressions. “This type of exhibitions makes us remember how it arose and it matured the art in our province. As they say, we do not have to forget from where our culture comes and to see where it goes?, emphasized Farfán, who in addition I observe that the sample is called “Part of the Mother country? because the art always comprises of Argentine history.

Original creations in collective sample

The visitors appreciated pieces that conjugated the imagination of four artists.

The collective sample “Images? was exposed with remarkable concurrence in the hall the Popular Library.
Alexander Condorí, Veronica Gutiérrez, Fernando Lamas and Héctor Neirot were the artists who exhibited their plastic productions that combine Christian imagery, the simple works with iconography that adds to the different perceptions and reproductions from other realities next to the digital and geometric world.

The ways to discover or to know a reality that escapes to all logical codification, unfold in peculiar and atrapantes images where the color and the figurative thing play creating universal fantastic and, simultaneously, amazing which they comprise of the imaginary one of Fernando You lick.

This way, “lunar Melody?, “imaginary Song?, “tubular Melodies?, “Luthier?, “Sparkle? and “Spheres? captivated to the visitors with a singular beauty in which pieces coexisted where the perspective game undressed a creation process. On the other hand, Alexander Condorí proposed pictures of Christian imagery with the classic symbolism to disturb it in visual ruptures and the search of the body where the color is rebelled in the picture questions the quadrature, as it were appraised in “native Crucifixion?. Others of their pieces also expose in mixed technique, the native culture and the own routine character of the being jujeño. The colorful art of Veronica Gutiérrez also was of manifesto in simple pieces, where the iconography obtained abstract compositions. The undressed colors and the suggestion of creations that left works like “Orange at sight?, “Are born oil?, “Green yunga? and “Red emplumado?.

Alicia Faltraco, one more a more mature work

The freedom, between the will of the figure and the tyranny of La Mancha. The artist will exhibit his works in Jumps.

Atelier of Alicia Faltraco is in the band of the city of Humahuaca, a paradise quebradeño that, like the one of Eva, went colonizing. For that reason there is lost no his enchantment. That way they lower who arrive walking from ways that are lost by valleys. To the bottom, the White Rock keeps the rest from an ancestral population. On one of its skirts: the image of the Virgin Maria. That farmer who lowers and the antigal covered by the mariana skirt, is a good summary of the world that Faltraco tries to desocultar by means of its creative work.

We visited it by the sample that, from this Tuesday 4, it will inaugurate in the Museum of Archeology of High Mountain, in front of the place of the city of Jumps, where the Children of Llullaillaco sleep a dream testified by thousands of visitors. She is one of the so many lines that intercross. Another one journeys the one of an European art that went extending on the centuries of American mestization and aspires, perhaps, to be fused with the objects that represent in our earth.

Faltraco has looked for that dialog, that it justifies the one of this note, from the figuration that demanded a commitment hurt of injustices, until the moment at which it beams forms to express the complexity of the Andean man, resorting to the complicity of the spots in the fabric and with the imagination accomplice of the observer. Thus it was composing a superposed world of layers that act like perspective, complementing it, but also they add dimensions that express contradictory and the rich thing of the life.

It tells us that it chose to expose now in Jumps “because it has one moved cultural very interesting one, invests money in culture much more and for that reason there are different spaces. That is an incentive to continue producing.? But to look for a new public does not influence in the selection of the works that presents/displays, because “my way within the plastic one I have already it chosen. My idea of a sample is that they know me better with one more a more mature work.?

It reflects that “I do not know if an art work thinks, in any case not at the moment at you are painting which it. Before tenés that to think, to digest it, but instead of by the alimentary canal leaves by the hand. Before it was a too figurative work and I do not want that now it is it as much. It is more time to paint, also, and that gives another experience me. One same one is changing.?

“The opinion of certain people matters to me?, says to us, “and Jujuy has very good plastics. I speak with them and many of to its I listen to them opinions I consider and them. Are people that even makes art, that has a plastic eye, when have given me with an axe. All we would want to be great artists, nobody wants to be mediocre, the subject is that to arrive at that, the way is personal.?

Speaking of its place within the Andean art, it says to us that “for twenty-three years alive in Humahuaca because interests the native culture to me, and within the native thing I have been living in an Andean zone. The same trowel of the landscapes of has here to do with my form, nonuse Caribbean strident colors, I have a trowel that is conjugated with the landscape. I look for that human figure with its characteristics, its gestures, its form to load the things, and those things are to me very interesting.?

“The sense whereupon pinto it, hopefully are more universal, a sense that extends the localismo. That I feel with poetries of the Churqui Choquevilca, that stops being localista when it says its images. I believe that I must make a exhibition based on its poetries, because it says images and until it is saying the colors to me. I use much blue and names he it in every short while.?

Sample “From the deep thing of my abstraction?

The same is available in the exhibition hall of the Popular Library of Jujuy and will remain until Thursday that comes.

The sample was inaugurated “From the deep thing of my abstraction? of Juan Manuel Taritolay in the hall the Popular Library.

Twenty-three pieces of thematic abstract, realized in mixed technique in the evening integrate the first exhibition of the artist that will be exposed until the 15 of the current in commercial schedule, in the morning from the 10,30 to 13 and from the 18 to 21.30.

“This sample is a synthesis. I seven years ago that I come working with the painting, my profession in lawyer in Kinesiología and Fisioterapia, but always tried to interest me in the art? expressed Juan Manuel Taritolay, atraido by the painting from always.

“Practically seven years ago when I went to Mexico to live, I was related to people of the art: with European like Italian French and, that belonged to different factories? commented.

In reference to the artistic influence that received, the artist affirmed that she began to work mainly in which is the abstract expresionismo, painting and abstract pure, being based on the work of the American Jackson Pollock, and Dutch painter Karel Appel.

“Basically this sample is composed by pictures of oil and acrylic, although there are some have only oil or pure acrylic and is based on that, in the abstraction, for that reason the sample is called in the deep thing of my abstraction? indicated Taritolay.

“From the deep thing of my abstraction? it is the first individual sample that the kinesiólogo realizes in the province, although already had participated in collective Aztec earth exhibitions.

“I began painting in Mexico, there if it had exhibited paintings in collective samples of two, three pictures; but never it had realized a exhibition thus, this would come to be the first sample only and here in Jujuy also?.

In reference to which it means the artistic activity in his race, Taritolay reflected that the important thing is to show the public the own sensations of the artist.

“The important thing is that the art is what one feels can express and it through the colors, when wants it to a person to sell is plus a commercial question and it already stops being art? mentioned the artist who presents/displays among others, some of the works that are exhibited are “So liberal?, “Legitimate king?, “Small glory?, “Adventures?, “Compatible?, “heard themselves?, “Eloquence?, “My history?, “Existence?, “Obstructed?, “I am not?, “you do not forget?, “Embroidered suderías?, “Spent times?, “To see him happen? and “A single visitor?, among others.

Beauty and sensuality in the series “Of sense in sense?

She continues qualified the sample Of sense in sense of Lucas Alascio. The same will remain in exhibition until the 31 of March, in the hall of the House of the Culture (Homemade 460).

Of sense in sense it is a series of dícticos, that associates vibrant images of fruits, flowers and vegetables to suggestive photographies of the human anatomy, in black and white.

“A kiss, can transport per years in my memory, associating much more that scents, textures and images to me. They are these some sensations and relations through my senses, my moods. My desires and pleasures… … Stimulus, stimulus. An association of images and meaning, appealing to the senses and trying to list a moment in the memory, a sensation, flavor, scent, analysis…? - it express Lucas Alascio on the sample.

Graphical journalist of profession, Lucas Alascio was born in 1966 in San Miguel de Tucuman. In 1989 he withdrew of the Faculty of Arts of the University of Tucuman where he discovered the photography. He arrived at the media first like camarógrafo of TV and after to pass through several weekly and magazines, he soon began his race like photographer in the daily Echo of the North and in the Tribuno.

Paralelamente developed its photographic work, that was changing in its thematic one from the documentary thing, the landscape, the picture, the architecture until the conceptual thing. They are possible to be staked: Landscapes of the south (1989), the Miracle in Jumps (2006), Casabindo (2007), among others

“The photography gets passionate and, basically, I distribute between the media and the photography of author who inexorably arises from those situations and places to which it takes my daily work to me? - the photographer counts.

Three interesting samples are inaugurated in the MAC

Friday 12 of March to 20 in the Museum of Contemporary Art (Zuviría 90), the samples will be inaugurated Disarms Desama, of Javier the Vázquez and turns and returns, of Marta Sanchez. Also it will be qualified a exhibition that it will present incorporations 2009 the Collection the Museum.

In Low Planta, it will be inaugurated It disarms Desama, composed by paintings, photographs, music and objects of Javier the Vázquez.

This sample is the final stage of work in progress denominated Disarms Desama. Now it takes the form from installation with paintings of great format. The same work began in 2007 within the framework of another denominated project Reading room (Collective Book Project of Artist) and continued with an installation of the same name in center Cutlural Vir it of the National University of Tucuman. From the beginning, the work looks for to reflect about questions related to the antinomy love lack of affection and memory forgetfulness (taken like fundantes organizations from our knowledge and identity).

The installation altogether completes with contemporary, compound music with the musician Luis Alonso of the Bárcena. In the work, conceived for piano, electronic voice and means, random and the superposition of pianos and effects of delay are fundamental part at the time of the execution live.

Javier Alexander Vázquez is licensed in Plastic Arts and Graphical Designer. He has worked in the field of the design and the communication. Ligature to the field of teaching and investigation and management owns a vast professional experience. It has realized numerous individual exhibitions and collective in the province of Tucuman, It jumps and Rosary.

On the other hand, in High Planta it will be qualified the sample Incorporations 2009 to the Collection of the MAC: paintings and photographies. In the same, the new incorporated works of Argentine art to their collection will appear during the 2009. Altogether, they are 45 works of the artists Leon Ferrari, Liliana Porter, Nicola Costantino, Flavors Neyman Zerda, Veronica Garci'a, Pink Pablo, Elda Harrington, Martin Santander and Chloé Henderson.

The lecture (the lesson) of Liliana Porter and Costurera de Nicola Costantino, was acquired in the Fair of Contemporary Art arteBA´09, by means of the Program Matching Funds arteBA - Zurich 2009.

Also in High Planta, it will be possible to be appreciated Of turns and returns, paintings of Marta Sanchez.

One is about an elaborated series with a sometimes sculptural image giving sometimes to the slowness sensation in a game of texture and color or a subtle loaded liviandad of dynamism. Turning on its axis, it surrounds unshakeable rocky objects and luminous metals suggesting natural forms in a subtle handling of tension and forces that tend to the concealment, beyond all anecdotal intention.

The light is a constant presence, establishing alive resistances, tridimencionalizando the forms other people's to the reality, projecting shades that play with the sense of mass in a permanent mutation in contrast between the open thing and the closed thing.

Marta Sanchez constructs to its artistic reality from the studies realized in the Provincial school of Beautiful Arts “Takings Goatherd? of Jumps, where it withdraws like Professor in Visual Arts specialty Painting in 1994. It realizes in permanent form advanced officer training courses and participates in days on the theoretical aspect of the art in Jumps, Tucuman and in Olguín (Cuba).

It puts his greater persistence in the artistic production, which is demonstrated in the great amount of individual samples that realizes.

It has also painted murals in the School Zorrilla Youngest child and in the School of Beautiful Arts of It jumps, these in joint form. Individually the Painting International participated in IV the Encounter Mural in Santiago of Cuba in 1999 and 2000 in the Second World-wide Day of Mural in Mar del Plata, Buenos Aires.

The samples could be visited of Tuesday 20 Saturdays from 9 and Sunday from 16 20.

Majors information in Zuviría 90 or calling to telephone 0387 4370498/3036.

The sample was inaugurated “Women of the Mother country?

One is the images of different heroins that marked national history.

In a simple act, it was generally inaugurated for the public the sample “Women of the Mother country? in the hall the Popular Library.

“In this sample they are all the women who marked history and who were very representative, some are hidden heroins and, that from the foundation, we have brought to light and we want to show them? expressed.

Organized by the foundation “To pound Bermúdez?, this cultural activity has the objective to pay tribute to the feminine figure, remembering those women who left their legacy in our mother country from the virreinato of the River of the Silver to the present time.

For this reason, the pictures of Bernardina Mexía Mirabal, Gregoria Matorras, Mariquita Sanchez, Carmen Puch, Manuela Pedraza, Magdalena Güemes, Juana Manuela Gorriti, Paula Albarracín, Maria of the Remedies Scaled, Incarnation Ezcurra, Manuela Pink, the Delfina (company of Francisco Ramirez), Dolores Blackberry of the Fertile valley, Eva Perón, Alfonsina Storni, Rosary Peñaloza Side, Ocampo Victory, Alicia Moreau, Laura Ana Merello (“Tita?), Mothers and Grandmothers of Place of May, Mercedes Sosa and Luciana Aymar, are exhibited in this exhibition that commemorates to the “Day the International of the Woman?.

Awards of “Woman Action?

Continuing with the tributes by the week of the woman, the foundation “To pound Bermúdez? will behind schedule make delivery this to 17,30 of the denominated distinction “Woman Action 2010? in the institution located in the street San Martin 236.

The community generally will be able to participate in this activity where it will be clear the women who stood out by their work year in the last: in the political scope, educative, Literature, social, militancy and in the sport activity.

Flowers to the watercolor, of the artist Ines Landlord Coasts

The painter will present/display her pictorial works, after nine years of absence in the rooms of our province.

Today, to 19, Ines Landlord Coasts will present/display in the Space of Art of the Airport Martin Miguel de Güemes de Salta a series of paintings to the watercolor. They are nine paintings in which the artist developed this technique to develop the thematic one that - according to the artist commented during an interview with the Tribuno- is his specialty: the flowers.

Ines Landlord Coasts was born in Mar del Plata, but great part lived on its life in Jumps. At the moment it lives in Buenos Aires where, besides dedicating itself to the painting, it is dedicated to the clothing design. The painting is an activity that comes developing for twenty years.

At the moment, the artist is overturned of almost exclusive way to the painting of flowers in watercolor, even though between some of his works they can be contemplated naked to the oil. “I always preferred to paint in watercolor because it is the technique that it more has to do with my personality. It attracts the smooth thing to me is transparent, it and clean it of this technique?, it commented Ines Landlord Coasts. And it added: “Most of my work has to do with the flowers and the glass transparencies. The flowers leave to me single, is because I coexist with them. For me it is very important to have the real models at the time of beginning to paint, that adds movement to him to the image, even though the design already is in my head?.

The painter exposed for the first time in Jumps in 2001. She was one of the first times that showed their works, remembers. From she realized exhibitions every two years in galleries of Buenos Aires and Punta del Este, and sent pictures to Chile and to some cities of Europe there, among others.
Every day Ines rises and she spends four or five hours to him to the painting. The artist considers that it is an activity that requires of certainty and daily dedication.

The inspiration - he maintains in change is something risky. “The worse moment is when the paper is in target. Sometimes I go by the freeways of Buenos Aires and I am imagined the painting, I am creating?, commented Landlord Coasts.

The artist began his pictorial formation in Jumps, in the Provincial School of Beautiful Arts “Takings Goatherd?. Later he continued his studies with teachers of watercolor like Peter Malenchini and Guilllermo Roux. Also, in several opportunities he has dictated factories on the technique of the watercolor.

The sample will be open to the public as of today. Simultaneously a exhibition of the watercolorist will be qualified in the Space of Art of the Airport salteña Salty Susana.

Wide, of sense in sense

The artist presents/displays a series of diptyches in the hall of Caretakers 460. The official inauguration will be made tomorrow, to 20.

The series “Of sense in sense…?, of photographer Lucas Alascio, already is qualified to the public in the hall of the House of the Culture (Homemade 460), although the official inauguration will be made tomorrow, to 20, with promise of “good wine and to char it?.

The creations of Alascio approach the spectator colorful fragments of the vegetal world they associate and it, through compositional resource of the diptych (combination of two images), to other fragments, this time human and in black and white.

The figures become, under a game of lights and shades, in pure abstraction, undressed of all the accessory. Through the confrontation of the images, the glance is conditioned, at the same time as the senses multiply.

The invitation to be placed in front of two photographies and to relate them to each other is provocative and desestructurante. The different images that in case single they have meaning acquire a new ready dimension to the being as if they were a unique element: they are harmonized recreating new worlds.

Lucas Alascio is graphical reporter of the newspaper the Tribuno. The photographic sample that presents/displays in this opportunity will be qualified until the 31 of March.

Silvana Merello, a woman who thinks and feels through art

Reflected the plastic artist will inaugurate his sample “of the eternal thing?, today to 20, in the Museum of Contemporary Art.

At the time of painting its works, Silvana Merello does not have a defined technique, simply is let take reason why it feels at the moment.

The art is its pastime for several years because not only it can be expressed freely through him but also feed his sensitivity. Ever since it retook the painting, for ten years, it has been dedicated to the abstract art because it allows him to enter into a dialog of heart heart with the spectator.

“Reflected of the eternal thing? it is the name that chose for the sample, that will be inaugurated today to 20 in the Museum of Contemporary Art.

She is composed by a series of paintings and videos, and the author yearns for that next to the spectator “we undergo a trip of vibratory energies that acquired forms, colors and intensities and we let ourselves take by each color to a new horizon… either near, or distant?.

Spiritual search

Silvana Merello began to paint to the 6 years in the factory of Horacio D' Alessandro until the 12, when it entered to the National School of Buenos Aires to initiate an intellectual search. Its interest by the painting happened to background when it chose to become a professional. “To understand the miracle of the life I tried to find answers in the purely material thing. Nevertheless, all the disciplines always converged in the same lack of answers?, explained Silvana.

It study superiors in Biology and posgrados specialized in direction of companies and economy, activity to which it is dedicated at the moment. “The life is taking to you by different ways, by the obligations that we must fulfill, but at a certain moment it took hold a crisis of identity and an immense necessity to me to find me with same me. Then I decided to return to what as much I liked to do when she was young: to paint. And from everything one went there giving, the doors went away abriendo without proposing it to me?, remembered the artist, who exposed for the first time in 2002 in the gallery Stream of Buenos Aires.

“The art fills the soul to me?

“To paint it is my hobbie. I have my work and my family, who requires all my attention, but the week ends I throughout settle in my pinto factory and the day. I believe that the human being needs to undergo that sensible union of and the creative thing with the mental thing. I specialized in my profession but always I felt that I needed something, that was incomplete. To paint is an activity that fills the soul to me?, needed.

In its located house right in the center of Federal Capital it installed its factory. There Saturdays in the evening it is locked in to paint and, although it is not surrounded by beautiful landscapes and silence practically does not exist, manages to move imaginary towards other places, to connect itself with she herself and to let itself guide by its emotions.

The result is abstract works with intense colors and much luminosity.

“The abstract art, that is to say that one that does not present/display elements of the reality, can or not affect the spectator. At the time of painting I especially transfer to the linen cloth a message, but the spectator perhaps can interpret it of a totally different way, because everything is in the subjectivity of each. The abstract thing is more of heart heart, moves to you or it does not move to you?, defined.

A dialog of heart heart

“Reflected of the eternal thing? it is an audio-visual sample integrated by oils and videos that the public will be able to visit until month end of Tuesday Saturday, 9 to 20, and Sundays, from 16 to 20, in the ground floor of the Museum of Contemporary Art.

“I do not like much to put name to them to my samples because I believe that conditions the glance of the spectator; but the meaning of `Reflected of the eternal thing' is related and so I want to show. I believe that the eternal thing is in that bond of soul to soul that occurs with the spectator?, emphasized Silvana, that will expose for the second time in the MAC.

“Trip of the spirit towards its essence?

On the work of Silvana Merello, the poet, essay writer and critic of art Rafael Squirru expressed: “To accompany Silvana Merello in this, its trip to its own interioridad, supposes to dare us to the own transfiguración of our interioridad. Planes that disappear, veils that reveal, silencios that speak, each painting are a testimony of the trip of the spirit towards their own essence. Silvana thinks and feels through art?.

Students present/display their photographies

Besides the exhibition of Silvana Merello, today it will be qualified in the ground floor of the Museum of Contemporary Art the sample of the works carried out by the students of the course factory of Photographic Expression dictated by Jorge Barbatti, during the last months of the past year.

They will exhibit his photographies Ana Mabel Caesar, Carolina Rodriguez, Car it Fuster, Elías Vestibule, Emiliano Arranz, Gabriel Kosiner, Javier Maggiotti, Julieta Robino Falcon, Patricia Omen, Santiago Gordillo and Valentina Robino Falcon.

Jorge Barbatti systematized a series of experiences developed throughout his trajectory in the photographic expression, as much artistic as documentary, that he looks for to give answer to the increasing demand of specialization in the photographic language in Jumps.

Sample of the artist Roxana D' empaire

The exhibition “Colors of the soul? can be visited in the premises 7 of the Palace Galleries (Miter 37). Free and gratuitous entrance.

“Colors of the soul? are the name of the sample that the plastic artist Roxana D' empaire at the moment exhibits in the premises 7 of the Palace Galleries (Miter 37). In her works realized in variable oil with a thematic one can be appreciated, that gives account of the relation that the exhibitor establishes with the art and its special form to appreciate she surrounds what it. The entrance is free and gratuitous, and will remain qualified until month end.

“The art is the infinite search of the internal being, of the expressions and feelings lived, shaped on a linen cloth. It is the passage of the calm to the storm, is to find new forms to be transmitted to the spectator, creating an atmosphere of communication and unit through the contemplation of the work. It sprinkles to the soul the smooth watercolor of colors that are narrating feelings and images, by means of spontaneous and personal La Mancha. Its eternal and sovereign stamp loads the oil giving life to the same life?. With this phrase, Roxana D' empaire describes the sensations that to him its dedication to the art produces.

Dedicated to the art

Roxana inherited its talent for the painting of its mother, Graciela Vercellone de D' Empaire.
In 1990 it obtained the Degree in Plastic Arts with Painting specialty. From his radicación in It jumps, it dictated classes in particular factories and it directed diverse courses in the Museum of Beautiful Arts and the Stop Noa Shopping.

During year 2001 Drawing II evolved like assistant of Chair in the subject, in the Provincial School of Beautiful Arts Takings Goatherd.

In 2002 it received the prize to the Best Ethnic Stage scene by the decoration of the program “Jumps is a song?.

The train of afternoon worked in the radial program “?, in A.M. 840. It participated in numerous exhibitions and halls in the provinces It jumps, Jujuy and Tucuman. “The art is the human expression more creative nobleman and, who it satisfies totally not only to contemplates who it, but to the artist executes who it. It is the communion between two souls: spectator and emitter. The art extends opposite, creeds and spaces; it can have the real or abstract creation, but always it is expressive means that speak between us, of our present experiences and happened?, it maintains.

This it is my body, you eat all of him

The young artist salteña presents/displays an installation with an retort of his body turned into unleavened bread.

The artist salteña Manuela de la Cruz rides on two passions: the scenic arts and the visual arts. For that reason, their artistic projects look for a confluence between both disciplines, using the body as sustenance. In the sample that at the moment presents/displays in the Fedro Gallery (Alberdi 1034), the sculptor offers an installation and objects that are transparent that search in which it has embarked. Manuela (that with this exhibition inaugurates its presence in Jumps), chose to give itself like food, on a table. “I made an retort of my bread body. I did it because from the original idea it wanted to work with the real body like matter. By certain circumstance (institutional), that possibility refused to me. Then I put myself to think why it wanted to use my body and not another material. I realized of which for me he is something essential, fundamental. If our body is not, it does not exist nothing else, because we did not perceive. I meant the same of another form. The unleavened bread (without leavening) is one of the oldest foods of the humanity. Only water and horneada flour (or simply dried to the sun). This, added to all the symbolic load that entails `the bread of every day' like which the man cannot need Earth body-matter?, explained the young artist, daughter of a great creator, Alexander de la Cruz, deceased in 2003. Manuela is finalizing its degree in Visual Arts with direction to sculpture, in the IUNA (Buenos Aires). In 2009 it gained the special mention in sculpture of the prize Prilidiano Pueyrredón. Paralelamente, worked in scenographic accomplishments and studied in the School Argentina de Mimo, Expression and Corporal Communication of Elizondo Angel.

Between the objects that are also exposed in Fedro is “Shell?, a work that does not comprise of the installation of the body made bread, but that stops Manuela has a “very special weight?:

“It is a resignificación of a toy that to me my papa did when she was small: a wood turtle with rueditas. I thought about making a toy for me, now, and a shell was happened to me that adapted body. In order to close this sense, the photographer Juan Longobardi, it made a registry of the action dress to me in this new toy?.

Manuela de la Cruz says that their artistic works aim to contact. Across, clearly, he is the spectator. “Always there is an idea like departure point, and another one (sometimes the same, sometimes different, sometimes one that I discover during the process) like destination. Both are for me as important as the materialization. Those ideas also are present in the person who observes and interprets my works, to that I always remember, from the creation?.

Today Manuela already passed the barrier of the 25 and, watching back, it does not reach to descry the precise moment in that the destiny revealed its creative vocation to him. “The option to dedicate me to the sculpture was something that still happened to me and I do not know how. Right the year that my papa died I I had entered the IUNA. The sculpture as direction of my race were not an election either. It did not find sense in other things, either the sculpture as object satisfies me; I need the space, but also the movement and the action. The human body driving in the space is what it completes to me?, confessed.

Manuela kneaded its bread body and, although the gesture is autorreferencial, can suggest a social reading. “Of girl I read a conference in which Garci'a Lorca spoke on the interference of the art in the changes of articles of incorporation. It said something as well as that `the art is the barometer that marks to the greatness or the smallness of a nation'. One talked about a frivolous theater that then was fashionable in Spain (during the Civil War). When I read that, it would have 14 or 15 years, I decided that it was going to dedicate to me to `to wake up societies' through art. With time, the idea went away diluting and my messages now go towards thoughts excite that me at the moment. Sometimes (like now), in my works encounter coldness, frivolity and narcissism, but anyway I believe that they reflect characteristics of the society in alive which?, Manuela reflected.

The sample can be appraised in Alberdi 1034. It is suggested to call before, to decide the visit: 4235884.

Of iron we are, sculptures of Pounding Velasco

In the Museum House of Aryans Rengel, Florida 20, the exhibition of iron sculptures can be visited until month end we are, of the artist salteña To pound Velasco.

Sculptor, Velasco is licensed in Plastic Arts Specialty withdrawn Sculpture of the National University of Tucuman.

At the moment, one evolves as in the School of Beautiful Arts Takings educational Goatherd in the levels baccalaureate, teaching staff and in free factories of nonformal education.

Lotufo daisy has commented its work: “The rhetoric of Pounding Velasco restores itself sustained in the slight and calm eloquence of the metal; in the resignificación of constituent pieces of industrial structures and in net volumes that play with one inspired and wise specialty.

Each structure arises conformed on the basis of the wise union of pieces that originally were construídas to comprise of machines and tools of work, whose forms were given by the utility which they rendered. Now, they are transfiguran in bodies, dresses, peinetones and they become horses, women, riders.

(...) Each sculpture speaks to us of the capacity of the artist, to aptrir of an intelligent handling of the constituent elements of the visual language, to construct imaginary worlds, to establish illusions, to create inmaterialidades to patrir of the matter, to turn into real, the unreality. “

Humahuqueños murals, the art in the walls

One is the contribution of the School of Arts of the historical city.

End arrives year and the artists, who in this case are educational and students of the School of Arts 2 Nº “Hermógenes Key?, work in heated form. The orders of joint with other institutions, are added, and seem to aim at a Humahuaca, provincial capital of the murals.

Three murals in the walls of the School Nº 77 are finishing, where they worked with the students of the same, is in work the one who realize in a wall of their own establishment, are beginning the works in the park of games Avoids and, to begin, on boceto already realized, another one in the Old Home of Juan Pablo II.

The art of the painting mural, that could have like regional antecedent to fresh of chapels like the one of Susques and to millenarian paintings in caves and eaves, and the Latin American art one long trajectory that the artistic expression relates, the search by cultural roots and the manifestation of social aspirations, is taking roots in Humahuaca, nourishing themselves of its esthetic traditions and enriching its image.

Gentility Tribuno de Jujuy

It will be inaugurated the Provincial Hall Photography

Monday 28 of September, to 19, it will be inaugurated in the Hall of the House of the Culture (Homemade 460), the sample of VII the Provincial Hall Photography subject Jumps and its Landscape.

The same will be integrated by accepted awarded works and the 20 selected to participate in the Hall and for exhibition. In the occasion, the act of delivery of prizes will also be realized.

The First Prize is for Franc Stamboni Day by its work the Approach. The Second Prize is for the titled work Arriving at the Cone from Arita from Lisardo photographer Francisco Maggipinto.

The mentions are for Aldo Luján Zanetti by the work the Boat, Juan Carlos Basilio Wizny by Attic and Victor Notarfrancesco by Looks for the bottom of the street the hill.

Also, the court selected 4 works that consider special mentions of the Jury, those that will receive dilpomas. These are the Bell tower of the Cachi series de Alexander Griggio Etchelús, Two Tips and Throat of the Devil both of Aldo Luján Zanetti and Hileras of males in an incredibly beautiful place of Lisardo Francisco Maggipinto.

The members of the body of juries of the Federation Argentina de Fotografía Hugo Garci'a, Ariel González and Jose Luis Urbaitel, had to their position the juzgamiento of presented/displayed works.
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