Showing more entered with the label Theater. To show the oldest entrances
Showing more entered with the label Theater. To show the oldest entrances

Opening Academies of Dance 2010

22 Tuesday 13 to hs. the spectacle will be realized opening of Academies of Dance 2010.

This presentation will count on the participation of diverse academies of dances of our province. It will be a promising show where they will fuse classic dances, Arab, jazz, free dances, Caribbean dances, tango and reggeton.

General entrance of $25 on sale in the ticket office of the Theater.

Raul Olarte in the first concert of the Miter Theater

The presentation has shared in common characteristics since it will collect bottoms to carry out works in the sanctuary of Liberator.

Tonight to 22, recognized vientista quebradeño Raul Olarte will appear like first artistic number of season 2010, in the greater scene of the Miter Theater.

Due to the participation flood of feligresía in this religious space, it is that Ortiz father is working for the construction of the “House of the Sanctuary?, destined to serve to pilgrims, priests and the equipment of pastoral.

With the aim of presenting/displaying this work and collecting bottoms for its accomplishment, this encounter in the coliseo was organized jujeño, with the action of the musician jujeño of international prestige Raul Olarte who will offer his spectacle dedicated to the folklore of the Argentine and Latin American plateau next to special guests.

“The idea arose from the father and friend mine Fernando Ortiz and is a special concert, the reason is the construction of a work in Ledesma for the pilgrims of the Virgin of Guadalupe, a work that is going to resort sanitary services because people every time add themselves more? expressed Olarte that will share its art after five years with the local public.

The compositions of Ricardo Vilca, Justiniano Aparicio Towers and “Nail? Branches will be the great proposals for a loaded evening of surprises and Andean rates.

“One of the guests at night will be bishop Marcelino Palentini and singing he since we have been able to see that zambas has a very pretty voice for some jujeñas and a subject especially; also it comes a pianist from the Silver, Eva Carranza, the guitarist Norberto Pereira; Leonel Key in charango and Alexander Vilte de Purmamarca and Gustavo Cross of capital? said the artist of winds.
The concert will be the first spectacle of season 2010, for this reason, is everything a pride the folclorista abrir the artistic billboard of the year.

“I always consider that the public jujeño is very demanding and, on the spectacles that the Miter Theater presents/displays, the public jujeño knows and knows that we are going to propose the best thing to him. We are trusting in which we are going to offer a little while of relaxation, to enjoy the sounds of quena, the piano, the song and of the instruments which they form part of our patrimony? emphasized.

In reference to his previous presentations, the musician commented that he was in different scenes from Humahuaca, his native earth; in Hornaditas in support for a native community, the Festival of the Churqui and the Teasel and in the province of Buenos Aires.
However, the immediate projects of the vientista are two, on the one hand the new album of study that is in recording and, on the other, a trip to Japan in the month of October to which it will go like guest of the embassy of Argentina in the Eastern country. The entrances will cost 20 and 30 pesos.

Theater piece on the legend of the soul in pain

To call “Hortensia, a soul stone? and will appear east Saturday to 22 in the Theater of the Return of the Century.

“Hortensia, a soul stone? is a history based on the northern legend of the Soul in Pain, that Flavia Oil mill took to a theater script some years ago, as a result of a scholarship that it obtained to specialize in Theater Anthropology with the group the Wasteland of Buenos Aires.

After some years and delays of the project for personal reasons, the actress jujeña of great talent retook east work, that came working with Sergio Diaz Fernandez, and finally the last year, began itself to work in the definitive putting under the direction of another great artist of our means, Maria Peace.

The result is a work of theater dances, that arrived at this point without seting out it, which east Saturday to 22 in the Theater of the Return of the Century will be released (Senator Perez 178), and the next Saturday 17 will recover to the same hour.

It says the synopsis of this work: “A vague soul that, that suffers, that calls. A lost soul, almost transparent crosses the way that it has left in the earthly world to go towards beyond. It is watched in the mirror than it was his life next to his godmother and the pain his dead boy.

At the end of the way one is with the old Anastasia, with gifts of divination and a miner in his daily work, like predestining his death. No longer there is more weeping in his bones, no longer there are more complaints, no longer to vagar more by hills, no longer are but pains ".

The Tribuno de Jujuy talked with the artists of this putting to know details the work. “After the scholarship, the theater script was ready and spent long time?, tells to Flavia Oil mill and makes a small parenthesis to mention its maternity and the care of a small daughter, that was some of the reasons for impasse, “until the last year, sharing a work of training with Maria (Peace), took to me to propose to him that it directs this work?. In addition Diaz counted on the collaboration of Sergio Fernandez and Safe Diego, comments this actress, who promises with this work to return to give all their talent, that she is much, after to have consecrated at national level with the unipersonal interpretation of “Jamuychis? in the National Celebration of the Theater of year 2003, where she arrived representing Tucuman, province in which she was studying at that time. In this piece, Flavia Oil mill, unfolded an impeccable work of action, expression, song, color, lights, that took the applause standing up to their professionalism.

At his time of study in Tucuman, or it shared training with Maria Peace, that is worth to stress that it comes from the wood of the dance, but that also or penetrated in numerous proposals related to the theater.

For that reason this encounter in an extremely promising putting. Although Maria Peace recognizes, that antecedent of “Jamuychis?, did of some form “more difficult to do' Hortensia', but this actress (by Flavia) that sings, it acts and it causes that a pile of things in scene happens, causes that it transforms itself into a spectacle that the public has to do, mainly because we spoke of a legend of the Argentine north, who we felt like whom we must rescue, the legend of the Soul in Pain?.

“The Hortensia name was a whim because mine is related to the name of an aunt but is not its history. I chose that name because liked as she sounded I?, explains Flavio, “and' a soul stone' arose later because when I began to work with the first text, I occurred whereupon they appeared the stones like detonating element and the soul in pain much that is a legend of Jujuy. Both concepts were conjugated in this spectacle, still being very antagonistic. The soul like a etéreo being, and the stone like an Earth element, hard, cold?.

The language
On the other hand Maria explaya in the chosen language, the one of the theater dances. “It seems to Me that the language of the theater dances, very it is controverted, and we decided to put east language to him because sumatoria of events is one that are in scene. It appears the plastic, the line of vision, and everything fused with the work of the actor who in the case of Flavia is also half dancing because he has conditions practices and it. The language is sumatoria of these two arts, and it can very solve it to Flavia or in scene, it gives all their talent to us, and that does not make think us about every moment of the work if it is dance or theater. We work the dramatic art like a strong tool that cost to construct it to us enough?, assured.

And finally it defined this work like “a great poetry, because it has much metaphor, does not have much spoken text, but other textualidades that are crossed?.

The particularitity
The putting counts on a resource of music in Japanese, that needed the aid in the translation Mariano Yamada. Thus Maria explains: “Anthropology is a search of world-wide ethnic groups. It fell in my hands makes like fifteen years, a Japanese music because I have relatives who live in Japan, and is because it served to this music and a text to us that by back of her says something on this viejita Anastasia. It is a music that transports to you but that simultaneously it is like very ours, we used that music and that text in Japanese. It is like saying that the borders are but they vanish when to compose?.

Amelita Baltar and Santiago Burastero render tribute to Lolita Torres and Astor Piazzolla

21 Friday 9 to hs., Amelita Baltar and Santiago Burastero, will render tribute to Lolita Torres and Astor Piazzolla in a denominated spectacle “Tribute to the 80 years of Lolita Towers?

Within the framework of the national tour, Baltar and Burastero will remember to two stars of music next to the Musical Sexteto of Tango and Folklore.

History of the artists

From its beginnings as singing Amelita Baltar the dramatic talent stood out by its most original voice and that it is pronounced in his interpretations. Its first disc like soloist in 1968 takes, it to obtain the prize revelation in the “national Festival of the disc? realized in Mar del Plata. In that same year it is listened by Astor Piazzolla invites that it to carry out its operita Maria Buenos Aires de Horacio Ferrer. Piazzolla and Ferrer find in her the ideal interpreter and gets to release than 30 works written more by them being marked an historical time of the pop music Argentina arriving at their culmination with “Ballad for a crazy person?.

At the moment one is making three women for the show, with Susana Rinaldi and Mariquena Classic and modern Monti in.

Santiago Burastero

The older son of the homenajeada Lolita Towers, is born in Buenos Aires the 26 from April from 1960.

At the beginning of the 2002 it is arming a repertoire that remains faithful to the same Carlos Gardel, and the 10 of December of that same year make their debut. Its first record work “the tango hopes to you? of the hand of I fight González and Lito Vitale was realized by the end of year 2006.

The 25 of November of the 2007 the Capella M. Glinka appeared in the Theater and in the theater of Opera of Saint Petersburg from that moment a tour begins by Finland, Germany and Latin America.

Entrances on sale in ticket office of the Theater: It silverplates $ 50, Theater box $ 40, Pullman and Super Pullman $ 30.

Tribute to “Daniel Toro and the Singers of the Dawn?

In a special encounter, 21,30 Wednesday 7 to hs. Facundo Toro next to Nacho and Daniel Fields, will homenajearán to Daniel Toro and the Singers of the Dawn, having remembered songs that made history in music of our earth.

Children and cultores of the festivales that reunite to our pop music, together for the first time in a tribute without precedents to the history and genius of their ancestors.

Entrances on sale in the ticket office of the Theater: It silverplates $ 50 and $ 40, 25 Theater box $ and Pullman $ 25.

They arrive the band from rock “the Tipitos?

The talented group of Argentine rock and MGP will present/display a unique function in our city in the Provincial Theater of Jumps, Sunday 28 from the 20 hs.

The Tipitos visits our city for the second time, since years back presented/displayed their successful disc Arming Chameleon, took that them to the fame with subjects like “Witchcraft?, “Bells at night?, “Silence? and “Something?.

Now, already consecrated, the Tipitos returns to Jumps with a powerful but tedious spectacle to present/display the subjects of their next disc: The club of Tuesdays, that will leave on sale in some months.

It will be a imperdible show of the group conformed by Raul Ruffino (guitar and voice), Federico Bugallo (low and choirs), Walter Piancioli (keyboards and voice) and Pablo Tevez (battery and choirs), where they will cross all the discs of more than fifteen years of trajectory and also the subjects Fabulous tributes that realized lately to the Cadillacs and previously to Andres Calamaro, Leon Greco and Sui Generis.

Entrances on sale in the ticket office of the Theater: It silverplates $ 60, $ 50 and $ 40, Theater box $ 40.

The Ballet of the Province replaces “Bolero?

21 Thursday 25 to hs., the Ballet of the Province returns to the scene of the Provincial Theater from Jumps, to present/display “Bolero?, with music of Ravel choreography of the teacher Jose Zartmann.

This putting of Ballet is in charge of artistic director masterful Leandro Regueiro and masterful assistant director Liliana Ivanoff.

“Bolero? of Maurice Ravel and choreography of the teacher Jose Zartmann, fuses music and dance in an exquisite choreographic Hispanic air piece. This version, that in crescendo musical offers a multiplication of images, produces an impact in the public who bursts in into applause before the dance finalizes.

The entrance is free and gratuitous.

Manyines tucumanos, arranged to give chair

The humoristic group of the neighboring province will present/display its imperdible basic parade of personages and one clasede " tucumano ".

Manyines carries out in Tucuman a popular televising program that emits Saturdays, by channel 13 of CCC.

Manyines. For Tucumanos export is a humoristic group that comes hard being above in the Garden from the Republic. Between borders, they work like seven people, but the actors who put themselves in the skin of desopilantes personages inspired by their own comprovincianos are two: Miguel Martin and Gabriel Races. The key of the success of these tucumanos is a well-known formula, but that few can solve on a scene: the capacity to ***reflx mng itself of one same one. The humorists will appear in Jumps tomorrow, to 22, in Scene Jet Seth (Necochea 737). The general entrance bond $30.

“Manyín? is an own term of the neighboring province. “Besides making reference to the garronero, it looks for, to the vividor, is used it to define the delinquent and, in spite of it, for the tucumanos he is a graceful personage?, it defined Martin, the actor whom it interprets to the Hetor; to professor Sabelounpomo, expert in “basic tucumano?; and to the Gordillo official, polesía of Tucuman. Gabriel Races, on the other hand, gives life him to the Ether, the operator; The Irma, one lady who resides in a tucumana town; and to the Masi, student of basic tucumano.

Both actors come from a successful experience: “Republic of Tucuman?, another humoristic proposal of great success in the neighboring province. ? `Republic' was a program type magazine; it had music, humor, information, etc. Within that proposal éramos we a segment. We separated to direct an own project, based on humor in 100%, with sketches new ones, and to grow more in the interpretations overturning us to the production, to offer a better product ", Martin explained, in dialog with the Tribuno.

The strategy of Manyines is based, essentially, in the caricaturización of certain common personages, of district, explaining faithfuls of the tucumano dialect. The “harvest? of linguistic material - Martin-not counts demands too much effort. “People contribute very many through anecdotes. The day to day in Tucuman always adds to you at the time of writing a script. The tucumano is very ocurrente with the nicknames and, at the time of answering or discussing, sometimes is very desopilante. Obvious - separate humility one must have a high sense of observation to be able to arm a history in paper and soon to act it?.

Guest to give a pair of examples of “basic tucumano?, the actor of Manyines proposes, defines and puts in use: “Chuy, expression of cold, `Chuy, tá helao'; Tuy, extreme heat expression, `Tuy, tá that peels'; Ramiá, to drag against the pavement a person does not burnish, `You vuá ramiá of the wicks'?.

With respect to the spectacle that will offer tomorrow, Martin offered diversion guarantee. “To salteño they enchant to him and he ***reflxes mng himself much of the forms that the tucumano has. Sometimes also they bother a little to him - we are going to be sincere, but generally we fall to them well, although the Buenosaireans of the north call `to us'?, adds ironic. And he returns to the subject: “He will be very dynamic, with videos and sketches of the Operator, who has a love history complicated good wave. Also we will learn `tucumano basic' and we will see a police situation between Gordillo (polesía) and the Irma?.

Finally, consulted about which it is the key of the humor of Manyines, Miguel Martin summarized: “I believe that the routine character and the simpleza of sketches. These resources cause that people feel identified. There is the secret of this success: we try to show a reality but with humor?.

Theater and sample of digital art in Jujuy

Tonight it will return to scene the Cordovan piece and the artistic exhibition.

Tonight to 21,30 the titled work will recover “the Way of the Puma? in the Theater of the Return of the Century, of Senator Perez 178.

The work is a unipersonal one of Juan Villegas and is based on works of James Arevalo Merejildo Chaski.

“Waking up of puma initiatory way? is the story of the life of kolla that undertakes the dream of being writer and to travel with winds to know all the skies, the lessons of its ancestors and the ways of its race.

The theater group the Life is a Boat was created in 2005, in the province of Cordova. At present, it reunites to several plastic actors, musicians and artists who create in the experimentation and search of new theater languages.

It shows in the Coffee
“Corpses? are the title of the sample that Rodrigo Moltoni, artist and graphical designer, it recently inaugurated in the Coffee of the Return of the Century, I mention in Senator Perez 178.

“The exhibition conceptualiza the idea of died corpses or that we have in the locker and that for some reason costs to remove to us and to dust.

These corpses, metaphorically, are those pending subjects that we cannot remove from above " explained Rodrigo Moltoni on its exhibition that has 17 pieces under the technique of the transported digital art to the paper.

It is important to emphasize that the format of each picture has as measured 1 x 0,20 M. and their technique missionary takes place on paper through the impression to red spurt, according to explained Moltoni. “Corpses? the 11 of March to 21.30 will have a reinauguración.

The sample will be exposed until the month of April.

The Faranda will release “Question of I devise?

The company of puppets will present/display its new work the next Saturday 20, to 19, in the Mecano room of the House of the Culture.

The company of puppets the Faranda will release a new work. One is “Question of I devise?, a creation of Fernando Arancibia and Claudia Rock. The theater piece will raise for the first time scene Saturday 20 of this month, to 19, in the Mecano room of the House of the Culture. Next, to 22, the titiriteros will replace “Of iron?, recommended for majors of 10 years.

The opening of “Question of I devise? will comprise of the program of functions that the group has thought to realize the next weekend. Friday 19, to 19, will present/display “One of love and another one of adventure? and then, to 22, will be the turn of “Fedro and the dragoon, a medieval tragedy?.
“Question of I devise? is a spectacle of small format that contains all those elements that characterize to this separate company, that is to say the putting in scene of dolls articulated and complete (with hands and feet) in a stage scene acclimated within a laboratory.

Claudia Peña and Fernando Arancibia always prevail new challenges with regard to the creation of the personages and to the elaboration of histories that soon take to the schools and theaters. This time the one will be Fernando that will manipulate the protagonists of “Question of I devise? and Claudia will be in charge of the direction.

“The work poses a problem that could only be solved if it is used I devise. History is carried out by an inventor and his young daughter, besides other personages who will take part in this relation between father and daughter. Everything will be developed within a mechanical factory?, explained Rock, to which it added: “This it is our first spectacle in small format using new mechanisms to give expresividad to our puppets?.

The Faranda is integrated solely by Fernando Arancibia and Claudia Rock, a pair of titiriteros that dedicate their life to him to this activity. Considered of the more talented theater groups of It jumps, the Faranda harvested sinfín of applause in 2009. It presented/displayed his spectacles in important scenes, the National Celebration of the Theater in the Chaco, the Circuit 11 Circularte in the province of Santa Fe, the National Circuit of Theater the Country in the Country (Misiones and Buenos Aires) and the Cultural April in Tarija (Bolivia), among others.

Young actors of Tucuman present/display a work in Jumps

The piece “Rotary, exclusive theater for partners? will raise scene tonight and tomorrow in the House of the Culture.

A group of students of the fourth year of the race of Theater of the National University of Tucuman will raise the scene today and tomorrow, from the 22, in the Mecano Room, of the House of the Culture - Homemade 460-.

The young people will interpret “Rotary, exclusive theater for partners?, who are a work of Hernán Mora'n, directed by Sergio Prina. He tries on a group of artists who one night, while they return from an art sample, talk on their dissatisfaction with respect to which they see in the different rooms that, unfailingly, do not surpass their expectations. From there, they decide to form innovating an artistic movement that does not group in fact to that they are producing works, but, this new group produces nothing either, only criticism. It is an irony on the world of the art. The work counts this history through daily and desopilantes situations that, besides making laugh, they invite to the reflection. The script leaves space for the improvisation, does not have a defined text, reason why the resolutions of each one of the situations maintain the expectant public. “We enjoyed very many this work because beyond the great repercussion that we had in Tucuman, the work amuses much to us and it allows reírnos us of we ourself?, the actor expressed Guillermo Katz.
The group of young actors is integrated by Car it Breslin, Rodrigo Herrera, Illuminato Flora, Guillermo Katz and Flavia Rodriguez. “We are companions from first year and come making several things in the faculty, but it is the first time that we left to show a work outside Tucuman. We are very contentments because in addition we are consolidating like group?, said the actress Car it Breslin.

A challenge

The work is the result of the final examination of the chairs Practical of Action I and Theater Direction, that the actors rendered in the Faculty of Arts of the UNT. The examination consisted of three functions that offered the public and which they had very good results, because besides obtaining a good qualification, they were praised and many applause of the tucumano public took.
“In Tucuman there is one moved of very interesting theater and that, for example, allows that we pruned to resolve the expenses that imply to mount a work and thus we pruned to undertake projects like this one, to come to act to It jumps?, commented the Flavia actress Rodriguez.

The clothes and the stage scene are designed and produced completely by the group of students who tonight will act for the first time in a scene salteño.
The first function is predicted for tonight from the 22, in Caretakers 460. The general entrance will be of $15.

The Provincial one begins season 2010 with I read Give

Friday 19 of February, to 22, in the Greater room of the Provincial Theater of Jumps will give to beginning the season of spectacles with the show that will give the legendary singer and composer I read Give.

In an exclusive visit to our city, the idol that captivated multitudes of several generations, will present/display its unforgettable successes like Celia, there am fiance', wanted Santiago, Estelita, Free, Solterito to You and without anybody, among others.

In little more than four decades of artistic trajectory I read Give reached ten platinum discs, thirty golden records, a Grammy like better composer and many other awards often placed that it to the top of the singing popularity as of ballads in almost all the countries of Hispanic speech.

Leopoldo Dante Tévez, known artistic as I read Gives, is considered one of the most important cantautores of Latin America.

Until today he has composed more than 2,000 songs. Their subjects have been recorded in different sorts (romantic, folklore, tropical, cumbia, tango, rancheras, etc.) and also have been translated Italian, Portuguese, German, French, English and the Japanese. Famous artists have interpreted their songs, like for example Leonardo Favio, “Palito? Grouse, Ramon Ayala, Jose Jose, Ornella Vanoni, Garibaldi Group, Antonio Frame Soli's, Pedro Fernandez, Maria Martha Serra Lima, the Manzeros Santiagueños and Café Tacuba, among others.

Entrances on sale in ticket office of the Theater: You silverplate: $200, $160 and $120, Theater box $120, Pullman $80.

The Faranda will replace all their repertoire

The company of puppets will tomorrow offer several functions and Saturday, to 19 and 22, in the House of the Culture.

Before the opening of its new work “Question of I devise?, the company of puppets the Faranda will present/display all their repertoire, during this one and the next weekend.

Tomorrow and Friday, to 19 and 22, in the Mecano room of the House of the Culture love works “One of and one of adventures? and “Fedro and dragoon? will recover, respectively.

On the other hand, the next Friday and Saturday, in the same schedule and place, it will return to offer functions of “One of love and another one of adventures? and “Fedro and the dragoon?, next to “Of Iron? and the opening “Question of I devise?.

“Fedro and the dragoon? is a tragedy acclimated in the Average Age. Fedro, the main personage, is a young enthusiastic escudero that dreams about being a horseman, but something will make change its destiny and will have to face the danger and the treason. In this work, Fernando Arancibia and Claudia Rock they use a giant mechanical dragoon. In “One of love and another one of adventures? two histories are counted. In the one of love, a good looking prince will be forced to marry with a frog; and in the one of adventure a tiger will look for a man to be moderate with him. A putting in dynamic scene that will serve to amuse to smallest.

A route by Latin America through the dance

The Ballet Folkloric “Santiago of the Matting? will put in scene typical dances of different countries from the continent.

The Ballet Folkloric Latin American “Santiago of the Matting? will put in scene a spectacle that proposes to redescubrir, to value and to recognize the history of our continent. “Racially mixed America? is the name of this proposal that will raise the scene of the Foundation Jumps, today from the 21.30.

Under the direction of Mercedes Ballerini de Messad, the dance body will undertake an imaginary trip by different countries from Latin America. It will do it through his more representative dances. The route will begin in Argentina, with a picture titled “Bursts of as much? until disembarking in Popular Cuba and Dominican Republic with “Caribbean?. In Chile they will make a representation symbolic of the National Park “Rapi Nui?, in the island of Passover; whereas the culture of Bolivia is shaped in choreography of saya. The following destiny will be Peru, where the dancers will make a representation of “huaylas?, an Andean dance, executed in the locality of Huancayo. In addition, the public will be able to delight with the putting in scene of traditional “joropo Eastern?, a national symbol of Venezuela. For the end of the spectacle, the company will arrive at Colombia to put in scene his “bullerengue?, a music and dances of the Atlantic coast, like cumbia Colombian. The last destiny will be Mexico with dances of Baja California, Nayarit and sones of the Mexican coast. For the goodbye, “Racially mixed America? will present/display an impressive denominated number “the Argentinidad?.

Varieté to the cap, an agile and stretched proposal

Net weight Theater will replace its work “Bar and three? today, to 23, in Ameghino 596.

Net weight Theater will offer a new function of its work “Bar and three, tremendous varieté?, today from the 23 in the rest bar C-Positive (Ameghino 596). Reserves to telephone 4228218.

Varieté is a spectacle conformed by short, consecutive and independent numbers to each other, with an agile and stretched dynamics.

In “Bar and three, tremendous varieté? follows one another a history of infidelity in real time; an appointment of little happy pair; a particular generational conflict; and three castings of improbable talents.

The esthetic one of the spectacle responds to the characteristics that they identify to varieté: the actors develop in a nonconventional and informal space, in this case a bar; and they put between the hearing, that is located in the tables.

The piece is carried out by Marcelo Cioffi, Pablo Dragone and Daniel Chacón, with the special participation, like guest, of the actress Paula Ferrer. The technical operation is in charge of “Tasting Col?.

It continues the I Latin American Encounter of the Theater of the Pressed one

It is developed in different scenes with factories, tables panels and representations.

From the past Friday the I is developed in our province Latin American Encounter of Theater of the Pressed one.

The activities for the today day, will begin to 9 with the gratuitous factory titled Introduction to the Theater of the Pressed one, coordinated by Francy Alvarez Jaramillo of Colombia, Iván Zépola Valdéz and Hanah Ubar of Mexico and Alejandra Diaz of Buenos Aires, Argentina in the Theater of the Return of the Century, located in Senator Perez 178.

From the 9 and, to the 17, a factory of deepening for the participants of Encuentro will be developed that they already come working with the methodology from the Theater of the Pressed one, integrated by a quota of 30 people and coordinated by Geo Brito of in center Multipurpose Brazil of Arts.

In the evening, the activities will begin to 15 with the elaboration of a work for public space and collective construction of in center Multipurpose knowledge of Art.

In Stage 1, the participants of Encuentro of Theater of the Pressed one will work in the expressive thing of joint way generating a work group that will be shown in the streets of San Salvador de Jujuy day 23 of the current.

For the 17,30, the theater piece will be exhibited forum “What Wave with Borges? of the group the Hell of the Alive ones in the reclaimed sheds “Tupaj Katari?.

Later, from 19 to 21, a table will form panel whom the thematic one of the “Theater of the Pressed one will approach and Education? that will be in charge of the group the Hell of the Alive ones of Federal Capital, in center Multipurpose of Arts.

By more information, the interested ones will have to communicate with Gabriela Morel to the 156852395

Humor and celebration improvised with “tremendous varieté? of Net Weight

The actors Daniel Chacón, Pablo Dragone and Marcelo Cioffi will put in scene their new theater piece “Bar and three…?.

“Varieté is a succession of numbers that do not have anything to do one with the other, but always must be present the celebration proposal. There is no director, there is no puestista, there is no author. The undisputed subject is the actor and the one that everything maintains?. This phrase him belongs to dramatist and educational Argentinean, Leandro Rosati, who in his artistic trajectory dedicated itself to this theater sort, that was born in Europe a century ago and that in Argentina reached popularity in the decade of `60, of the hand of great figures like Carlos Perciavalle and Antonio Gasalla.

This nonconventional form “to make theater? was taken by the members of the independent group Net Weight; Daniel Chacón, Pablo Dragone and Marcelo Cioffi, to create its new theater spectacle “Bar and three, tremendous varieté?. The work, that will count on the special participation of the actress Paula Ferrer, will be released tomorrow, from the 23, in the rest bar C-Positive (Ameghino 965).

Humor in key of absurd

After surprising the public with “Oniria?, a psychological drama of Martin Giner, Net Weight Theater returns with a totally different proposal, that it bets to the humor and the search of a direct bonding with the spectator.

Without advancing too many details on the performance, one of his protagonists, Marcelo Cioffi, it commented that “one is a spectacle made up of seven independent numbers but that at the same time they are successive. During the putting we dare to play within the scenic space and to break the barrier that divides to the actor of its public, something that the conventional theater does not allow you?.

“Bar and three, tremenso varieté? is a collective creation, that arose from the reading from texts, theater improvisations and games.

The esthetic one of the spectacle responds to the characteristics that they identify to varieté: the actors develop in a nonconventional and informal space, in this case a bar; and they put between the hearing, that is located in the tables.

“Varieté has innate a question associated to the festive thing and generally the bars or coffees are lent for this type of improvisations where the actor takes what happens in the place for incorporalo to the work, even the errors. What has of individual is that in spite of having a format related to easy humor, we followed more with a way of elaborated work. We like much to approach our creations from the absurd thing, which allows the actor to play its potential yet. It amuses much everything to us what has to do with the dissosciation of the reality?, added Cioffi.

A communion with the public

Without more stage scene than the one than it offers the bar (chairs, tables and a counter) and accidental clothes, Net Weight Theater will look for to make laugh to the spectator through corporal gestures, words and movements. On the matter, Marcelo Cioffi emphasized that “we wanted to prioritize the actoral work not as much and the ornamental question, because varieté has a certain dynamics that if you do many clothes changes or stage scene decays and bores. Us to work with this sort he is very funny because a climate more relaxed is generated than in a conventional work. The fantastic thing of varieté is that it renews the expectations, as much of the protagonists as of the public?.

The opening of “Bar and three…? it will be tomorrow, but the idea of the list is to give him to a continuity the next Fridays of this month to manage to install varieté within the artistic proposals of the theater billboard salteña. It will be a spectacle of humor to the cap. Reserves to the 4228218.

II Encuentro of Latin American Popular Theater in Jujuy

This behind schedule to 19, the second festival organized by the groups will be realized the Pink Theater, the Shade Theater and Art Of Us.

Our province will be by second consecutive year soothes of Encuentro of Popular Theater Latin American Entepola Jujuy 2010, that begins today and it will extend until the next Wednesday.

In this edition in addition, it is possible to emphasize that the Entepola will extend to other provinces of the NOA, by express order of his artists. Thus it will arrive at Tucuman, Salta and Catamarca, that this time will act as you soothe of the encounter in Jujuy.

Surpassing widely the expectations of an artistic festival that began in 2009 and that united pieces of different countries in moved active Jujuy generating one theater one; it is that for this year it is predicted that the second Entepola with the perspective is realized of which is multitudinal and that congregates theater proposals not only, but also of diverse originating disciplines of the art.

“It is not really possible to be thought that the festival has grown as much in a year. From the public, from our companions artists and the people of all Latin America and Europe. In fact you ponés entepolajujuy in Internet and are like 30 pages with notes and new features, anecdotes and forums. For that reason the possibility is important of having everything in Jujuy, we have in the hands an international event that allows the jujeños that do not go away of vacations to comprise of this activity, to have an international festival of theater with factories, with conferences and music, that is had over-sized? explained Roman Germa'n, the chief of a main directorate of the encounter to the Tribuno de Jujuy.

One is a festival that will reunite to native Latin American companies of different provinces from our country, Peru, Chile, Venezuela, Mexico and Colombia and Brazil, which they will exhibit his theater pieces in soothes power station that, like the last year, will be in the ex- station of trains. Also there will be presentations in five capital districts.

“The programming is of four spectacles per night, with artistic samples. Aside it is going to have activity in San Pedrito, the Falklands, Comedero Stop, Santa Rosa and Kings, trying to arrive at the districts and, in the interior, we are going to be in Tilcara, Liberator, Perico and Palpalá? mentioned Roman, also director of the Pink Theater that director of the Shade tells on the work of Gabriela Espinoza Theater and Sergio Diaz Fernandez, director of Art Of Us (ADN), coordinating of the festival next to 40 local teatreros.

“As always it is a totally gratuitous proposal where there is a previous organization. Practically a month ago we worked for this, we dedicated ourselves to this to be able to cause that people can see the 150 artists who are going to arrive at Jujuy?.

Projection of II the Entepola
Due to the success of the call in 2009, it is that the artists of Jump, Tucuman and Catamarca showed an outstanding interest in taking this festival from theater to their scenes.

According to words of the director Roman Germa'n, the spectacles that will appear in our province, also they will comprise of next the Entepolas which they will take place in the provinces of Jumps, Tucuman, Santiago of Estero and Catamarca.

“It is already announced that the third party (Entepola) is going away to do in Jujuy and we are thinking again about meetings with the governments of the provinces so that the more important international circuit of the theater in Argentina forms, where Jujuy would continue being the head and the organization. Soon one would move to Jumps and from Tucuman spectacles to the Band (Santiago of the Matting) and to Santa Maria would be derived (Catamarca). It is a phenomenon that extends opposite? indicated.

Other disciplines

Like adhesion to this theater activity, to the festival other artistic disciplines like the painting and the crafts will be added.

“Plastics Will have exhibitions of 42 that goes to expose pictures in festival, that is very important because the painter also adds itself to this moved popular to be able to arrive at people in massive form? explained Roman, whom soon he affirmed that the organizers of the fair “the Hands Do? and of the Urquiza stroll, also will realize a special fair surroundings to the ex- station. “Not only there will be theater but music, plastic, literary nights and projections of videos? it finalized.

Symbols of the salteñidad in key of absurd

Inverse space presents/displays “Work of Christmas or the appetite of Artaud?, cradle in the language of the man salteño.

A family salteña get ready to celebrate the traditional dinner of Christmas. In the course of the meeting they begin to appear the individual and social ghosts, and the weight of the symbols of myths and the identity they become unbearable. On this encounter and its consequences Work of Christmas turns the theater piece “or the appetite of Artaud?, a collective creation of the group Inverse Space, cradle in an investigation on the language and the policies of the body in the man salteño. The spectacle was released yesterday and it will recover today and tomorrow, from the 20,30, in the Attic of the Palace Galleries (Miter 37).

This performance, only apt for majors of 18 years, gives continuity him to a type of theater with which this independent list comes working for three years and that are known like “rupture theater?. In him, the one that the space and the corporal expression are over the text, and the metaphor plays an important role.

The director of the work is Indagel Betancourt, who also is put in the skin of one of the personages, next to Julio Caesar Bazan, Victor Pagano and Noelia Gana. In a self-assured and canibalesca position, the actors put in tension religious symbols and traditionalistic of He jumps with the codes of the “theater of the cruelty? of Antonin Artaud. This poet, dramatist and French actor, after to live a problematic childhood and to happen through different mental sanatoriums, invented the “theater of the cruelty?, a dramatic art that diminishes the spoken word and it lets itself take by a physical unusual sound, maneuvering by movement and elimination of the habitual dispositions of scene and scenery.

Inverse space took this conception it shaped and it in a proposal in which the metaphor prevails and that can be interpreted of different ways, according to the subjectivity of the spectator.

For that reason, “Work of Christmas…? it is an undressed piece of all type of technical artifices, where the body of the actor and the metaphor fulfill a roll very important. “Very it is played and it can get to hurt susceptibilities. We take the subject from Christmas to talk about to the evacuating of myths. Nowadays many believers celebrate this festival without knowing their true meaning?, emphasized Indagel Betancourt.

“Work of Christmas or the appetite of Artaud? is the second putting of Inverse Space, after “the died dreams of Don Insula?, released in December of 2007 and the responsibility of Indagel Betancourt.

“The argument of the work arises from an investigation that still is in process and that talks about the fatigue folkloric that prevails in the culture salteña. From the globalisation a cultural displacement that is reflected in the rituals of our earth, often used like a tourist attraction took place. Also we were based on `theater of the cruelty' of Antonin Artaud because through his works, the author undresses all those social constructions that went weakening the man of their nature?, explained the director.

The proposal of Inverse Space turns surroundings than it is known like “rupture theater?, that is located within the “experimental theater?. “This type of theater insists on the sign codes. We did not follow a dramatic art classic but we worked from different codes. `Obra de Christmas or the appetite of Artaud' has different structures, parts in which it is not used a verbal language but sounds with tonadas of the north?.

The Huayra closes season 2009 of the Provincial Theater of Jumps

After a full year of successful presentations the Huayra Mud Code will appear their last record work “? 21,30 Wednesday 30 to hs. in the Provincial Theater of It jumps.

Entrances on sale in ticket office of the Theater. It silverplates $ 80 and $ 60, Theater box $ 70, Pullman and Super Pullman $ 40.
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